![]() ![]() ![]() ![]() This F chord is what we call a borrowed chord. Specifically, we don’t have a natural A in the key of F minor, only an Ab. However, the F major triad (F – A – C) isn’t in the key of F minor. If you look closely, Dbmaj7 and Bbm share two common tones, resulting in a smooth transition between the two. Bb is the 4th scale degree of Fm, making it the iv (four) chord. This chord is diatonic to F minor, a solid choice to start the progression. Db is the 6th scale degree of Fm, making it the VI (six) chord. We’ll go chord by chord, looking at where each chord comes from and what role it serves. Let’s take a look at how Madeon built this progression. Regardless of your theory knowledge, I’m confident I’ll be able to take you through this song, helping you understand how Madeon is able to write and arrange a song.Ĭlick here to download the MIDI used in this article. This progression might seem like a lot to take in, but I promise we’ll break it down and make it easy to understand. Specifically, I’m playing Bbm, Bb/D, Ab, and Bbm7 inverted ) (I’m playing a few of the chords above inverted, i.e. Finally, I’ll try to breakdown what I think makes Madeon’s music so catchy and memorable. ![]() Then, we’ll breakdown the composition and arrangement. First, we’ll look at the main melodic content of the track. ![]()
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